BEGINNING of the THIRD, 3rd.
SLANT FLYING
We are told in the Classics of this posture that we must not forget
that ‘shoulder stroke’ comes between these postures.
Blocking low against a right low attack you should grab the right
wrist, step to behind his leading leg and throw him over your leading
leg. Photo No. 118. You may also put a strike in with your shoulder
before the throw. This is done on both sides.
FAIR LADY WORKS AT SHUTTLES
An attack is blocked width one arm. Photo No. 119. The other arm
takes over and the first palm attacks to the chest as you step in.
Photo No. 120.
SNAKE CREEPS DOWN
You should block and grab a left fist attack with your right palm,
Photo No. 121. Then you should pull the opponent downward as
you slip your left arm under the groin area and attack the groin with
shoulder. Photo No. 122. Another use for this posture is: You are
being attacked with a right fist, you should block using p’eng with
your right wrist and then your left palm grabs his right elbow. You
then pull downward using your weight moving down. This is a most
powerful technique and causes the opponent’s head to hit the
ground. Photo No. 123.
SLANT FLYING
We are told in the Classics of this posture that we must not forget
that ‘shoulder stroke’ comes between these postures.
Blocking low against a right low attack you should grab the right
wrist, step to behind his leading leg and throw him over your leading
leg. Photo No. 118. You may also put a strike in with your shoulder
before the throw. This is done on both sides.
FAIR LADY WORKS AT SHUTTLES
An attack is blocked width one arm. Photo No. 119. The other arm
takes over and the first palm attacks to the chest as you step in.
Photo No. 120.
SNAKE CREEPS DOWN
You should block and grab a left fist attack with your right palm,
Photo No. 121. Then you should pull the opponent downward as
you slip your left arm under the groin area and attack the groin with
shoulder. Photo No. 122. Another use for this posture is: You are
being attacked with a right fist, you should block using p’eng with
your right wrist and then your left palm grabs his right elbow. You
then pull downward using your weight moving down. This is a most
powerful technique and causes the opponent’s head to hit the
ground. Photo No. 123.
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